do you ever get friendlust. like. you just see someone and you’re like. man. i have such a friendcrush on you. i wanna be ur friend so bad. i wanna be more than a friend. i wanna be a BEST friend u hear me. ur so cool. i admire u a lot and ur so funny. plz b my bffl. i will treat u right. let me be ur drake-friend. no other friend will treat u like i would
“If I read our story backwards, it’s about how I un-broke your heart, and then we were happy until one day, you forgot about me forever.”—Joseph Gordon-Levitt, The Tiny Book of Tiny Stories, Vol. 1 (via serialstranger)
I have so much respect for people that can write songs. Like, how did you know that melody with those lyrics and that guitar riff would be so catchy? Song writers are so smart. Serious respect for song writers.
baby:dada /ˈdɑːdɑː/ or Dadaism was an art movement of the European avant-garde in the early 20th century. Many claim Dada began in Zurich, Switzerland in 1916, spreading to Berlin shortly thereafter but the height of New York Dada was the year before, in 1915. To quote Dona Budd's The Language of Art Knowledge,
Dada was born out of negative reaction to the horrors of World War I. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zurich. Dada rejected reason and logic, prizing nonsense, irrationality and intuition. The origin of the name Dada is unclear; some believe that it is a nonsensical word. Others maintain that it originates from the Romanian artists Tristan Tzara's and Marcel Janco's frequent use of the words "da, da," meaning "yes, yes" in the Romanian language. Another theory says that the name "Dada" came during a meeting of the group when a paper knife stuck into a French-German dictionary happened to point to 'dada', a French word for 'hobbyhorse'.
The movement primarily involved visual arts, literature, poetry, art manifestoes, art theory, theatre, and graphic design, and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. In addition to being anti-war, Dada was also anti-bourgeois and had political affinities with the radical left.
“I never felt open in any way. I would never impulsively ring people and assume that they’d want to see me, or just go ‘round. I always had to sit down and think very hard before I knocked on anybody’s door. And consequently, I never really knocked.”—Morrissey. (via theburnthatkeepseverything) (via manicstreetpreach)